Directing and Producing for Television, Third Edition: A Format Approach

• Ivan Cury, "Directing and Producing for Television, Third Edition: A Format Approach"
• Focal Press; 3rd edition (November 9, 2006) | English | 0240808274 | 272 pages | PDF | 6.39 MB
• "Directing and Producing for Television" is a step-by-step guide to shooting live television. This is an excellent refresher if you have to do a rare multicamera shoot." - Robert Goodman, Videography
• Essential guide to a topic gaining in popularity daily, television.
• Directing and Producing for Television provides you with the tools you'll need to direct and produce effectively in a variety of settings. Based on his years of experience in the industry and teaching the subject, Cury illustrates fundamental principles with engaging anecdotes that teach by example.
• Ideal for students in television production courses as well as industry professionals, Directing and Producing for Television addresses critical production techniques for various formats including panel programs, demonstration, scripted, music, commercials, PSAs, news, documentaries, remote broadcasting, and sports. Each chapter concludes with a valuable review section summarizing key points.
• Written with both the director and producer in mind, but particularly relevant for the television director, Directing and Producing for Television gives a comprehensive overview of the facility (studio, control room, and/or support areas) and provides who's who information covering the various jobs and personnel involved in television programs.
• New to the third edition:
• * Key updates on digital cameras and editing technologies.
• * A chapter on remote broadcasting highlights important considerations when producing sporting events.
• * International glossary containing who's who and what's what information applicable to the US and UK make this the ultimate guide for any television format.
• The emphasis is on multiple camera television, although serious considerations is given to single camera production in those formats where single camera production is the predominant production technique (i.e., documentaries and commercials/PSAs). The material in the book comes from the author's own experience in the industry and in university settings. Finding that students are adept at handling equipment but often lacking in actual production technique, this text addresses what outlines are needed by whom and why; how to mark a script; what a rehearsal agenda ought to be, and more.
• This approach to television production, which outlines the demands of each format, gives the students the tools they need to help them direct and produce efficiently in a variety of settings.
• Ivan Cury is a professor in the Communication Department of California State University, Los Angeles, where he has taught for the past fifteen years. He is also a producer and director of commercials, sitcoms, variety shows, documentaries, and daytime dramas such as The Young and the Restless. He has served as a judge for the Emmy's ACE and for the DGA awards. Before joining the department at Cal State, he taught for eleven years in the MPTV department at UCLA.
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